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On June 3, Britain's Got Talent drew to a close and this year's winner was crowned. Nothing unusual there.
But Lost Voice Guy's victory wasn't just notable because he was the first comedian to win in the show's history - but also because he has cerebral palsy.
Furthermore, the runner-up, another comedian named Robert White, has Asperger syndrome.
The pair helped the show attract its biggest audience since 2015 - an average of 8.7 million viewers tuned into the final, according to overnight figures.
Both acts made light of their own disability in their acts. So is this a watershed moment for disability on TV?
"No," says broadcaster Mik Scarlet, who is now an inclusion and equality trainer. "I think it's just another one of those moments that happens throughout the history of media.
"The media has always believed that the public can't cope with disability, but that's just never been my experience.
"I was discovered in a similar, not quite so dramatic, hail of praise and glory in 1989, and I went on to become one of the most famous disabled presenters."
Mik, who uses a wheelchair, became a familiar face to viewers as the presenter of Channel 4 kids TV show Beat That, and went on to acting roles in The Bill and Brookside.
"Everywhere I went, all the people I met were fine with [my disability], they genuinely didn't care," he says.
"What this actually needs to be is a watershed moment where the media wakes up to the fact that, actually, the general public are absolutely fine with disability."
He adds: "Hopefully what might happen is now the media will stop making it such a terrible tragedy story.
"It's very easy for them to shine a light on the public and go 'Oh look the public voted, they must have changed,' when actually this is the first time the public have been given the chance to vote."
Viewers may not have had many opportunities to vote for acts like Robert White and Lost Voice Guy - whose real name is Lee Ridley (pictured) - in talent shows before, but disabled people have been represented on screen in a variety of other ways in recent years.
Noughties comedy series Little Britain (which starred David Walliams - now a Britain's Got Talent judge), saw Matt Lucas play a disabled character who was secretly able-bodied.
The sketches poked fun at the idea that disabled people fake their condition in order to claim benefits, and the show was hugely popular with viewers.
But now the comedy is coming from disabled performers themselves.
Dean Chaffer, a comedy fan who also has cerebral palsy, has been following Lost Voice Guy's career for a number of years.
"Watching Lee around various comedy clubs and places around the north-east over the years, how he supported Ross Noble in the early days of his career, that was really good," he recalls.
"And hopefully he can go as far as he wants to doing comedy, and challenging people's perceptions of disability and getting laughs along the way."
He adds: "The first rule of comedy is just to be funny and I think that's what Lee does really well.
"Disabled people have a sense of humour, just like everyone else... we're just like normal people, and I think it needs to be highlighted that Lee and Robert were up there because they were the funniest people."
Tim Renkow, another comedian with cerebral palsy, told BBC News: "[The audience] can get super uncomfortable when you get on stage but once you've done three jokes, they just don't care and they want you to be funny."
One of the factors key to both White and Ridley's success, Mik thinks, is the fact that they actively made their disability the subject of some of their comedy.
"There are a few people now who work in the media who are disabled but never really mention it. The thing about Lost Voice Guy is he goes on about it, it's his set," he says.
"And I think it'd be really nice if disabled people could finally be allowed to talk about it again, and be considered something other than a contributor. At the moment, if you want to talk about disability on television you tend to be a contributor, and not anything else.
"And I think that might be a really important change; that we see comedy where disability is in it and it's done well.
"Hopefully soon you'll have a really funny comedy about disability, which makes disabled people laugh, but also makes non-disabled people laugh not at us, but with us."
Beth Haller, Ph.D., is Co-Director of the Global Alliance for Disability in Media and Entertainment (www.gadim.org). A former print journalist, she is a member of the Advisory Board for the National Center on Disability and Journalism (https://ncdj.org/). Haller is Professor Emerita in the Department of Mass Communication at Towson University in Maryland, USA. Haller is co-editor of the 2020 "Routledge Companion to Disability and Media" (with Gerard Goggin of University of Sydney & Katie Ellis of Curtin University, Australia). She is author of "Representing Disability in an Ableist World: Essays on Mass Media" (Advocado Press, 2010) and the author/editor of Byline of Hope: Collected Newspaper and Magazine Writing of Helen Keller (Advocado Press, 2015). She has been researching disability representation in mass media for 30+ years. She is adjunct faculty in the Disability Studies programs at the City University of New York (CUNY) and the University of Texas-Arlington.